Imperative of Polarity - Bloy

 


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Centauric Education - Friedrich Georg Jünger

That the life of the centaurs should be a school for heroes, that they should be trained away from the human home, beneath the open sky, in the caves of the wild mountains, seems strange at first, when one considers the overall image of the centaur. There is a raw and wild side to it, corresponding to the life of primitive hunters. They do not possess the gentle powers of Hestia and Demeter, they do not shepherd nor cultivate fields. They are naked, rough, impulsive, have their own weapons and lead a wandering life as free hunters who follow their prey and need plenty of territory. The bull hunters of Thessaloniki, centaurs in human form, recede into the background, giving way to the hippocentaurs. It is out of the abundance of raw animal nature that the human form grows and rises as an attachment that cannot free itself from the heavy and powerful animal body and remains attached to it. Pindar tells us that Ixion gave birth to Hippocentaurus by means of a cloud, but Ixion has a rocky ...
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Ernst Jünger on the Tree

"Since the tree demands veneration, it has its strongest effect where man, through his art, creates the free space it deserves. This cannot happen overnight. Whoever plants a tree is thinking for grandchildren and great-grandchildren. This includes a caring sense that goes beyond daily consumption and quick use, even beyond one's own life and death. It continues; we feel it in the tranquillity, the peace that makes us happy in an old park. The ancestors have thought of us. We enter into them, remove ourselves from the circles of chasing, threatening time. We feel peace, even in decay. Nuthatches and woodpeckers nest in the hollow trunks, mushrooms settle on the rotten wood, reddish-brown dust trickles from the wormholes. We stroke the bark of the old brother; he has seen tournaments and was already stately when Columbus armed the caravels. There is stronger, dreaming life, and our life itself with its temporal worries becomes a dream. What may remain of them before another cen...
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Jünger on Hölderlin's Dionysian Poetry

"The Dionysian trajectory of Hölderlin's poem now becomes stronger and stronger, its architecture changes, the dithyrambic comes to the fore. The firm, presumptuous construction of ancient verses is no longer sufficient, the hymn formed in free rhythms takes its place. The language in "Patmos", the pictures, the landscapes are Dionysian. The longing, pulling and tugging begins, the wanderings begin, which, unlike in the elegy "Der Wanderer", lead after the mouth of the Danube, to Greece, the Caucasus, Asia Minor, the islands, all the way to India, into the realms of the triumphant Dionysian festival and triumphal procession. Dionysus is not mentioned in "Patmos", but he is always present, most palpably in the "Mysteries of the Vine", where Christ and his disciples sit together. The mystery of the vine is a Dionysian mystery. If this Dionysian vine remains unharmed by Christianity, then we can say: it is good. Under it one can rest; in th...
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